Gems from the Ocean

20160128_192701I’m ashamed to say I’ve only just discovered August Wilson, the Pulitzer Prize winning playwright known as the American Shakespeare. But what a way to discover him and his searing explorations of what it means to be black in America: through the stunning, gut-wrenching interpretation of his play Gem of the Ocean, currently playing at the Marin Theatre Company. Go see it, Bay Area peeps; you must.

Wilson is best known for his ten play cycle on the lives of African Americans in the 20th century, one for every decade. Gem of the Ocean is the first of the cycle, written second to last in 2003 (Wilson died in 2005). And for us, there were multiple performances on theatre night: the play itself, and then the responses of the predominantly white audience (AFAICT, we were one of two families of colour attending) that stayed for a Q&A session with cast and crew after.

Amongst the conversations with no clue: ‘I don’t understand where the spirituality of the original went…’ So Wilson uses seemingly Christian symbolism underwritten by Yoruba spirituality, which hybridised form dramaturg Omi Osun Joni L. Jones pops up so powerfully in her interpretation. In other words, it’s nothing but political and spiritual, just perhaps not your politics and your spirituality, Mr. White Theatre-goer.

The interpretation also breaks with the familiar idiom of ‘naturalistic’ theatre, which is how August Wilson is often played. Instead, it offers rhythm, beat, syncopation: jazz of word and gesture. Be prepared for its power, and for its getting under your skin. I found myself squirming in my seat, hardly able to sit still (such a no-no for a polite theatre-goer!).

But the best of the evening was the well-meaning road to hell: ‘I wish young black children could watch this play’… Yes, they should. I hope they do, and the theatre is doing its best to make it happen, with multiple matinee shows. But even more so, elite white people should watch this play. And not deflect the responsibility of thinking about it. Understand, as August Wilson says in the play, what black folks, people of colour, need for full citizenship in this country: “You gonna have to fight to get that. And time you get it, you be surprised how heavy it is.” (And yes, it echoes all that my Dalit and Adivasi friends are feeling right now too).

So t20160128_192717hank you, Daniel Alexander Jones, Omi Osun Joni L. Jones, and the incredible cast and crew of the Gem of the Ocean. I can’t imagine Wilson being interpreted in any other way.

 

Whose news is it anyway?

If you’re lucky, you’ve been able to blog about it. If not, you’ve been fuming in offline silence over the Indian government/ISPs’ inept blocking of blogsites over the past couple of days. But in the midst of all this cyberspace critique, a news item in early June seems to have passed under the radar of many bloggers. Or was there a blackout there too? And this time, by the mainstream media?

On June 5th 2006, The Hindu carried a story on the first ever statistical analysis of its kind: a survey of the social profile of more than 300 senior journalists in 37 Hindi and English newspapers and television channels in Delhi. As Newswatch India commented, if sex, religion and caste are to be taken together, more than two-thirds of the top media professionals in the India come from less than 10 per cent of its population. Shocker (or is it really?): there is not a single Dalit or Adivasi amongst these top 315 media decision-makers. Hindu upper caste men hold 71% of these jobs, and Muslims, only 3%. Interestingly, a gender analysis gives the most positive spin, but there too, mainly in the English electronic media: women account for 32 per cent of the top jobs. In the English print media, women form 6 per cent of top editorial positions and 14 per cent and 11 per cent in the Hindi print and electronic media. But there is no woman amongst the few OBC (Other Backward Classes) decision-makers: groups that suffer ‘double disadvantage’ are almost entirely absent from those surveyed.

Continue reading “Whose news is it anyway?”